Entry of Saint Ignatius into HeavenPRODUCT CODE: 00115
Entry of Saint Ignatius into Heaven is a fresco that spans across the nave ceiling of the Church of Saint Ignatius of Loyola at Campus Martiusin Rome, Italy in celebration of Saint Ignatius, a Spanish knight who experienced a religious conversion after being wounded in battle and went on to found the Jesuit order. Painted between 1685 and 1694, it is a representation of Saint Ignatius being welcomed into the realms of heaven by Jesus Christ and the Virgin Mary.
Brilliantly inspirational classic artworks. SCALA ARCHIVES is the largest and most prestigious fine art image archive worldwide. Transparencies and high resolution digital files of works of art from all over the world, covering every age and every field of visual arts (painting, sculpture, architecture, archaeology, the ancient & the modern world, decorative arts, photography, design, fashion etc.) are available for licensing to all media.
Italian art makes up the core of the collection, however the Library contains thousands of first-rate works from the rest of Europe, the United States, Russia, the Middle and Far East, and Africa.
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Italian painter, architect and stage designer. He was a brilliantquadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist's role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola's Spirited Exercises (1548). His architectural works are eclectic, and his unconventional combination of varied sources led to bold experiments with both space and structure. His ideas were spread by his highly successful two-volume treatise, Perspectiva pictorum et architectorum (1693-1700).
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