Frescoes on the spherical vault

PRODUCT CODE: 00119

From the Scala collection of fine art images a replica of Giusto de' Menabuio's famous fresco Paradise completed in the Baptistery of the Duomo, Padua.

suggested Maximum width: 2970mm
US$159
Based on 1.2m w x 2.4m h
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Scala

Scala

Brilliantly inspirational classic artworks.  SCALA ARCHIVES is the largest and most prestigious fine art image archive worldwide. Transparencies and high resolution digital files of works of art from all over the world, covering every age and every field of visual arts (painting, sculpture, architecture, archaeology, the ancient & the modern world, decorative arts, photography, design, fashion etc.) are available for licensing to all media.

Italian art makes up the core of the collection, however the Library contains thousands of first-rate works from the rest of Europe, the United States, Russia, the Middle and Far East, and Africa.

We are an important intermediary between museums & publishing houses and we offer unique services to both our customers & the collections we represent. Our aim has always been to support and advance the study, knowledge, love and diffusion of art and its history.

Giusto de' Menabuoi

Giusto de' Menabuoi

 Italian painter. He was a native of Florence, but all records of his activity and all surviving works are in or from northern Italy. Together with the Veronese painter Altichiero, and following in the wake of the native Guariento, Giusto helped establish Padua as a major centre for the development of late 14th-century painting. His work illustrates the widening stylistic gulf in the years following the Black Death between the activities of Florentine painters working in Florence and those of artists either born there or exposed to the influence of Florentine art before the mid-century, but working further north, where, after c. 1350, the most significant developments of the Giottesque legacy took place. Beyond a shared Florentine tendency to monumental form, his art increasingly diverged from the style of Orcagna and his school, and Giusto's expansion of the pictorial possibilities suggested by Giotto, Maso di Banco and Taddeo Gaddi in the early decades of the century is bolder than anything attempted by the painters of late 14th-century Florence. His career may be divided into two phases: work in Lombardy, 1350s and 1360s; and from c. 1370 in Padua, where he enjoyed the patronage of the Carrara court.

Read more: http://www.answers.com/topic/giusto-de-menabuoi#ixzz1ncUeaKkX

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Collection: Scala

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